![]() ![]() Quiet Kenny Kenny Dorham Rar File Upgrade Required In To see the audioplayer I think you have to be viewing the post itself, not the email alert). It is not very prominent so I wondered if people would recognise it I have added music samples to most of the previous posts where I could not find a YouTube. So here the original LP is over 2000 and I got a great reissue for 20 with probably better sound based on my other New Jazz releases I own. Prestige records pressing from 1970 and great cover too Sound is spectacular and in stereo too. I caught a copy of Kenny Dorham 1959 which is in reality a reissue of Quiet Kenny one song (Mack The Knife). Whether the American company sent just stampers, or a mother from which to create more stampers, is anyones guess but a long-time record dealer I know once referred to all the metalwork being done here, from which I concluded we made the stampers here.Ītleast I always get happy when I see the RVG, Van Gelder etc. ![]() They taught me to be very wary of throwing money at originals from the Prestige stable.ĭo they use american stampers for these UK releases Also: I was under the impression that Cannonball played always played Alto sax not Tenor which your text refer to I do not have this on CD or LP so Im not sure.Įsquire UK releases of Prestige all carry the RVG impression from the original US Master. Which is to my benefit, as it is a better session than I expected, and the price didnt really reflect the quality within.Ĭan you imagine a Gold Label (the best) that hisses As it happens, it sounds great, apart from the hiss. It claims to enjoy Spectrosonic Engineering the marketing departments attempt to baffle record buyers and explain the concept of wide dynamic range in plain gobbledygook.įor a pleasant change the cover shows little sign of its true age, and the absence of spindle marks on the label suggests it spent most of its fifty year life unplayed in someones collection. The US Riverside pressing have the edge but nothing worth fighting over they all sound great. He could do with shedding a few pounds, but Cannonball Still, the recording is credited to Julian Adderley which definitely has a more sophisticated ring. The waistline isnt as trim as it was forty years ago, but Adderley was only around thirty years old at this time. The sample Straight Life is a lovely ballad, with Adderleys poignant phrasing and elegant flourishes reminiscent of the superlative Blue Note Something Else from around the same year. The session is graced by Bill Evans on piano, with Blue Mitchell on trumpet and Sam Jones and Philly Joe holding down the rhythm section, Adderleys alto is strong and vibrant, with plenty of energy pushing everything along. Recorded on Apat Van Gelder Studio, Englewood Cliffs, NJ. Quiet Kenny Kenny Dorham Rar File Upgrade Required InĮven if the playing time (under 37 minutes) is a bit brief, the explorative yet swinging music lives up to its potential. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |